Saturday, April 18, 2009

An observation of her pain

Have you ever touched a point of pain in the world - pain so sharp, so brittle that it keeps cutting at you long after you’ve moved away from it, having somehow “burned” you with its icy intensity?

These points of pain inevitably stem from people who have been deeply hurt in their lives. Yet often they don’t acknowledge their pain and instead focus on their ego, their self, as a means of running from the pain, while their pain, in a machine gun spatter, is sprayed outward, often injuring others.

I recently met someone who was filled with pain.

I knew from the start that something was wrong when, on being introduced to me, she immediately dismissed me – by repeating everyone else’s name as she was introduced to them and taking one look at me and looking away with no mention of my name. There was something about my energy that “frightened” her. I didn’t see it as an offensive gesture or as being about me, but as the first sign of something not quite right.

As the morning progressed I listened as this woman “held court”, telling us about herself and her work. Words sprang from her mouth as though from a boiling geyser under immense pressure. She had a story to tell and, by god, we would listen!

“My work is an exploration of the free sex, sex for sale, prostitution that’s delivered to our doors each day via the newspaper. And I thought it was illegal here yet there it is, these ads in the entertainment column. “Hot young thing available, with extras. Your place or mine.” My art is my response to them. I snigger, jibe, cringe. Of course, it explores my own sexuality too, particularly given I’ve passed my own sell by date.”

Does a woman ever pass her sell by date, I wondered. A woman is so very much more than just her sexuality. And yet even as she ages, sexuality lives within a woman as part of her essence. Woman is woman is woman. How sad that this woman, who looked eternally young, was petite, attractive and vivacious, believed she was past it, no longer sexually attractive.

I listened as she dismissed or attempted to negate anything I offered to the conversation, constantly misunderstanding me in a way that was unconsciously deliberate. She had clearly taken an instant dislike to me, which was, of course, her prerogative, but which I also realised came from some place within herself that was screaming in rage and agony.

I pondered as she spoke about her creativity, her god-self and the denial of her ego. I mused as she trivialized those “modern gurus” who speak of their journeys towards healing or enlightenment through the experiences of their own pain. “They chose that pain,” she announced, “and won’t let go – I find it so draining.”

She spoke with all the right words of a person on a journey towards wholeness and enlightenment, she had the words of “spiritual speak” but there was a vast gap between her words and her reality. And it struck me too that her "spiritual speak" was very much stuck in the "vital" or physical plane.

I suppose looking at her superficially one might have seen a person who was full of herself, arrogant, opinionated – bloated with her own self importance. But those “traits” struck me as symptoms of something else.

Reaching out to touch her energy was like encountering shards of multicoloured glass – the colours invited you to touch, but the touch cut deeply. Peering beyond the surface it struck me that there was so much insecurity and so much fear - and within that fear, swimming furiously in the maelstrom, the most overwhelming pain, bundles of undealt with baggage. And she was running from it as hard and as fast as she could.

At the time I couldn’t put it all together – because part of her persona included sparkle, energy, excitement – and I like people and I like hearing their stories – and I prefer to see the best in them.

But it was later, when I sat in the peace of my home that I felt the dark sludge that had been left by the energetic encounter clawing at me. And the defining moment, the absolute recognition you might say, happened when I looked at her art on the web. In telling her own story one sees images of anger, sorrow, resentment, rage and degradation. The colours are vivid and garish, slashed and splashed across her canvas like dripping wounds. Each woman’s face depicts a hopelessness or an emptiness, or is hidden, while her womanhood is portrayed as a vivid gash.

But I owe her a debt of gratitude, because my own response to the encounter was to paint, something I’ve not done for a while, to cleanse away the pain that been projected at me. I entitled the piece Heart of Woman.


Heart of Woman

27 comments:

gaudiumdegaea said...

I love it Heart of Woman. And I love how you saw through the brave facade to the point of coming across as all those things that she most probably isn't.
Quite interesting, I wonder how she would feel if she had the opportunity to read your observations and feelings about the encounter.
Gx

Absolute Vanilla (and Atyllah) said...

I'm really pleased with how the painting came out too, Gaye - it's painted straight from the heart - so one never knows quite what one will end up with!
As for the artist, erm, I suspect if she read my observations she'd be ready to scratch my eyes out! ;-)
xx

R.L. Bourges said...

a v: first, forgive me the 'spiritual' talk, but when I clicked on your painting to appreciate it better, I thought 'painted from the root chakra, looking up'.

I love the clean and joyful energy in it. Inspires me for a ' bright red map' I'll be working on as soon as I finish a 'dark red map'.

You described both the meeting and the after-feeling so well. Unprocessed pain does not go away,nor does it stay quietly under lock and key. It always finds some way to express itself. When a person gets to the root of deeply painful experiences, he or she stops targetting or scapegoating others through lashing out or ignoring someone, as this woman did with you.

The experience gave you - and us - something beautiful in exchange. Hopefully, that woman will find a safe place in her mind from where she can heal her pain.

Meanwhile, I'm off to Albi for the afternoon? Want to tag along? :-)

xx

lakeviewer said...

It does strike us at a deep level when someone pushes so hard, that something else is being squashed. The artist in you recognized the sharp edges; you responded by producing a piece with soft lines and circles all connecting, all present. She feels 'safe' in her explanation, and is not about to let anyone change her.

Hurrah for the intuitive in us.

Absolute Vanilla (and Atyllah) said...

RLB, your comment is so interesting. The artist, I referred to is very much planted in the vital/physical plane - and my painting, as a response to her, I agree, grows out from the root chakra - from red, looking up to orange, yellow and pink of the chakras. Interestingly, I started working on a second painting, which I'm calling tribal jitterbug and which is dominated by greens, blues, indigos and violet - which just the odd splash of red, orange and yellow :-)

And yes, please, I definitely want to come to Albi with you! :-) xx

I think that without the intuitive in us, Rosaria, we tend to get ourselves horribly lost. Hurrah indeed! :-) xx

Debi said...

Beautiful insight, Ab Van. It's not always easy to see beneath the armed guard exterior to the heart beating within.

Pyzahn said...

You are indeed very intuitive. But beyond that, you understand what to do with the insight that comes from your intuition. It should never be dismissed.

Look how beautifully you transformed it! I rather agree with R.L. It does look like Chakra energy

laughingwolf said...

for many it's difficult to come to grips with one's emotions, but it all begins by deeming oneself 'worthy', by loving oneself, despite all that has gone before

great art...

blessings to you and yours

Siobhán said...

Beautiful. Captivating.

Baino said...

I wonder why she wouldn't acknowledge you? Perhaps she saw something in you that she herself would like to acquire. I'm not into chakra's etc. That is I don't undestand them but I do understand hostility as a mask for inner suffering. It takes time to actually draw such people out of themselves. I'd love to know who she was simply to look at her paintings.

Rob said...

Beautiful painting, Vanilla. I hope you return to painting more often!

Le laquet said...

Well done for seeing through it, most people would simply have dismissed her as hateful and bitched about her to anyone who would listen!

lettuce said...

I love the painting, it feels beautiful

and how awful to think of human beings as past a sell-by-date.

Fire Byrd said...

What a wonderful post Nicky, you have seen this woman in a way she is desperate not to be seen. And maybe that's where her unconcsious fear lay. The fear of exposure as a fraud.In the sense that she's talking the talk and walking the walk, but not dealing with the demons within herself.
And her inspiring you has led to a wonderful painting.
You are a multi talented women, words and art and guinea fowl rearing, I'm seriously impressed.
xx

Absolute Vanilla (and Atyllah) said...

I think the path towards wholeness and connectedness lies in seeing beyond the obvious, Debi, but as you say, too often we can't or don't do it.

Thanks, Pyzahn and you're right, one shouldn't dismiss anything that comes our way like this as they provide great insights and learning for ourselves.
Re the painting, in "real" life, it's a little less red than it seems here, more orange and cerise with flashes of yellow.

This is absolutey it, Wolf, the way out lies in learning to love and honour ourselves - if we don't do that how can we learn to love others and spread love into the world.

Thanks, Siobhan.

I have, in the past, encountered people who are threatened by me, Baino and for no apparent reason - I suspect it has something to do with my "energy" which somehow gets to people who are insecure and unafraid yet pretend to be the opposite.
I'm not sure I fully understand the chakras either, Baino but that doesn't stop me from working with and learning about them :-)

Thanks, Rob, will I am working on another painting, but it's very different and it will be mixed media which is something I haven't done for a thousand years! ;-)

I think one needs to see through this stuff, Laquet because we gain so much by doing so - and besides, we might miss someone very special if we only see them superficially. :-)

Thanks, Lettuce - and yes, I agree, I thought it was so sad that someone should think of themselves as being past a sell by date.

I suppose what one has in this woman, FireByrd is a true case of human duality - and in every sense. Although my heart goes out to her, I am at the same delighted with what she indirectly gave me - two new paintings! I think it's a case of the other person and how we, personally, choose to respond to that person and their baggage. One can make it go either way.
Hey, can I add cooking to my list of talents too? ;-)
xx

Lori ann said...

It's so inspiring to come here Nicky, on so many different levels! and you cook too? have you tried any of Lola's recipes yet?
I think it's the color of love.
♥ lori

Lola said...

Great post Nicky. Your intuition and insight has made you see right through this person. And maybe that's why she immediately felt you as a danger. Her facade was transparent with you.
If she only knew her bluff inspired you, leading to a wonderful painting!

Ciao wonderful woman

Lori ann said...

oh, umm, the painting, i think that's the color of love ,left that part out!:)

steph said...

AV,

Amazing! Is there no limit to your talents?

That woman sure missed out when she dismissed you!

muthu said...

The painting is lovely..... i love it.....

And I think that people like that need more sympathy and understanding because it takes more than pain to be like that, it takes scars........

Absolute Vanilla (and Atyllah) said...

Thanks, Lori! And no, not tried Lola's recipes yet, but have copied them so that I can do so! xxx

Thanks, Lola - I suspect she sensed something, albeit unconsciously that caused her to respond as she did. I'm just glad it all turned out rather nicely in a painting :-)

Ah, that's me, Steph, multi-talented - just a shame I don't put it to really good use ;-)!

Thanks, Muthu, and yes, I think you're absolutely right in what you say.

JaneyV said...

You are a very special person to have been able to see past this woman's (let's face it) rudeness to understand what lay at it's root. I've seen a lot of people who have suffered pain like this who have grasped at spiritual band-aids or even spoken openly about their experiences as though owning them would set them free from the pain. What I have learned is that sometimes this type of person is so defined by their pain that they are actually not seeking healing. Only the appearance of it.

I find The Heart of Woman to be deeply positive joyful and sexual. I agree that the notion of being "past your sell-by date" is a foolish statement. It's just a convenient construct for those who wish to push others away. I like your take a whole lot more.

Absolute Vanilla (and Atyllah) said...

Aw, thanks, Janey, for the words and compliments on the pic - I wish you could see it in "real life" as there's a lot more depth to it than shows on the reduced image.

You know, I always wonder when I meet people who are rude or abrasive just what it is that hurt them so - because lets face it it's only pain and fear that can turn a person in that way. But you're right, a lot of people get off on their pain and feel safer clinging to it rather than having the courage - because it does take courage - to let go. I hope that this woman, through her art, will find a way to peace and wholeness.

Lane said...

I think she sensed immediately that you could 'see' her pain. Rather than expose her intense vulnerability she had to mask it, dismissing you and upping her 'vivaciousness'.

I love how you've described/analysed the encounter. And the painting too:-)

Vesper said...

How interesting, Vanilla, how sharp your analysis...

Yor painting is absolutely beautiful and its title very fitting.

xoxoxo

Exmoorjane said...

This is fascinating.... How intriguing that she took such a visceral dislike to you - you must have felt very threatening to her (and yes, as the others have said, maybe because you could see through her) or maybe there is pure envy there. Often, when we have that kind of gut reaction to people it's because they are showing us our shadow and that is hard to take.
Fabulous that you were able to take and transform that experience into art - I love that. In so doing, you are also reflecting her back at herself which may have interesting consequences for her (although it's doubtful she'll ever realise why or how!!!) jx

Connor said...

Wow. That's really striking... both the blog post and the painting itself. Although I think it definitely helps to know the story behind Heart of Woman before seeing the painting.